HAVE GUN WILL TRAVEL follows the story of professional gunfighter Paladin who, after the Civil War, settles into San Francisco’s Hotel Carlton where he awaits responses to his business card. Upon receipt of ,000, Paladin will leave his suite to chase down whatever mission of mercy or justice his clients commission. Featuring a photo of a white knight chess piece, the business card simply says “Have Gun – Will TravelWire Paladin, San Francisco.”Episode for episode, the second season of Have Gun, Will Travel (1958-59) is even better than the first. With a bona fide hit on their hands, CBS didn’t mess with success, and these 39 episodes pushed ratings even higher with sharp direction (mostly by first-season veteran Andrew V. McLaglen), a wide variety of attention-grabbing plots, and intelligent, sensible dialogue. All of the first season’s strengths are carried over, and while 41-year-old star Richard Boone (as the refined gunslinger-for-hire Paladin) is rarely given a serious test of his talents, he commands his role with depth, humor, and impressive displays of physical agility. (By comparison, series regular Kam Tong had almost nothing to do this season; he’s relegated to routine duty as Paladin’s Chinese hotel valet “Hey Boy.”) Future Star Trek creator Gene Roddenberry hit his stride this season, writing nearly a dozen episodes including the playfully spooky “The Monster of Moon Ridge,” and other contributors included novelist Irving Wallace and Bruce Geller, who would later create Mission: Impossible! And while McLaglen helmed the vast majority of episodes, Have Gun set a TV milestone when Ida Lupino (with “The Man Who Lost,” featuring Jack Elam) became the first woman to direct for a TV Western series.
The “Wire Paladin” production notes provided with each episode are thoroughly researched, providing extensive guest-star credits and making wide-ranging connections between Have Gun and many other TV series, films, and serials of the ’40s, ’50s, and ’60s, especially Roddenberry’s Star Trek. Among the noteworthy guest stars are Lon Chaney Jr., Charles Bronson, Harry Morgan, Joseph Calleia, Harry Carey Jr., Suzanne Pleshette, Morey Amsterdam, Vincent Price, Edward Platt, and many stalwart character players from TV’s golden age. The season starts well with “The Manhunter” (in which Paladin is forced to kill a young gunman and faces the wrath of his vengeful family), and Paladin’s unique brand of frontier justice is memorably dispensed (along with generous quotes from Shakespeare, Milton, etc.) in such highlights as “The Man Who Wouldn’t Talk” (with Bronson), “The Ballad of Oscar Wilde,” “The Moor’s Revenge” (with Price), “The Scorched Feather” (with Chaney) and several others. The opening credits are slightly modified as the season progresses, and Paladin’s travels take him into the mountains (for some outdoor adventures late in the season) and even to Alaska, the series’ most distant destination. Image quality suffers in later episodes (some mastered from vintage kinescopes or murky syndication prints), but the fact that all 39 episodes are fully intact is a blessing to anyone with fond recollections of this superior TV Western. –Jeff Shannon
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HAVE GUN WILL TRAVEL:COMPLETE FIRST S – DVD MovieThe first season of Have Gun–Will Travel makes it easy to see why this Western series was an overnight success. Making its debut on September 14, 1957, the half-hour show ranked no. 4 in the ratings for its entire first season, which ran almost completely uninterrupted (minus a one-week preemption) until June of 1958–a punishing schedule unheard of in present-day television. (It ranked even higher in subsequent seasons, holding the no. 3 spot, behind Gunsmoke and Wagon Train.) Richard Boone was perfectly cast in the lead role of Paladin, a cultured gunslinger whose West Point education, impeccable style, literate sophistication, and distinguished Civil War service made him unique among Western heroes, and the prototype for many dashing figures to follow. Based in San Francisco’s ritzy Carlton Hotel, he scans newspapers to locate trouble throughout the wild West, then cagily markets his services (via his legendary calling card, “Have Gun–Will Travel”) as a hired gun, moral arbiter, voice of reason, and reluctant killer of badmen. Understanding the complexities of frontier justice, Paladin (whose full name is never revealed) could turn on those who hired him if he suspected dubious motivations. He wore black, but he traveled in an ethical gray zone.
Running about 25 minutes each, these 39 episodes are consistently good and economically plotted, since Have Gun boasted stellar talent on both sides of the camera. Each episode began with the memorable theme by legendary film composer Bernard Herrmann, and most of the first season was directed by Andrew V. McLaglen, who worked regularly on Gunsmoke, Rawhide, and Perry Mason before graduating to a prolific big-screen career. Regular writers included Gene Roddenberry (who created Star Trek six years later), and budding maverick Sam Peckinpah co-wrote episode #22, “The Singer.” In addition to series regular Kam Tong as Paladin’s Chinese-American manservant Hey Boy (a “Coolie” stereotype, but Tong handles it with dignity, especially in “Hey Boy’s Revenge”), Have Gun offered a who’s-who of 1950s and ’60s guest stars, from genre stalwarts like Victor McLaglen (Andrew’s father), John Carradine, Strother Martin, and R.G. Armstrong, to promising newcomers like Angie Dickinson, Warren Oates, and Charles Bronson (the last starring in “The Outlaw,” one of the season’s finest episodes). Each episode is accompanied by background information and guest-star profiles, and while picture quality is quite good overall, the audio quality suffers from a low-level mix with noticeable hiss from aged source materials. Fortunately, this won’t prevent anyone from enjoying a first-rate TV series that thrived for another five seasons, until cancellation in 1963. –Jeff Shannon
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